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Alex Smith Doe

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The Globalization of Vietnamese Music and Poetry Post-1975

The Globalization of Vietnamese Music and Poetry Post-1975

Similar to verse in Chinese and other European languages, the traditional Vietnamese poetry rhymes. Its rhyme system differs from that of English with the use of the same syllables must be used.

In the same way as other musical forms, different Vietnamese generations have modified poetry according to their perspectives and experiences. Incorporating poetry with music has been a major feature of Vietnamese cultural tradition.


Like poems in Chinese and many European other languages Vietnamese poetics is composed of rhymes. In Vietnamese poetry, rhyme is formed by the meter, as well as by an back rhyme structure (rhyming the last syllables in one line before the first one of the next).

Music is much more than lyrics. It is also an expression of cultural values and tradition. For instance, xam folk songs, created in the 14th century express the various customs of villages. The songs express affection for family, respect and love for parents, but are also a testament to the Soan van 10 sach Chan troi sang tao importance of honesty and moral peace.

Vietnamese poetry and music help in bringing together the different cultures of the country. It is also a way of self-expression that allows the artists to overcome the obstacles that come up throughout their lives.


A variety of organizations, from localities to and universities, have worked to protect the tradition that is Vietnamese music. There are clubs, associations and schools to encourage tuong, one of the oldest performing arts that involves performing, singing and action. It’s a very important part of the culture, especially for worshiping mother goddess and the gods of the ancestral past. The performers must excel in the art of singing as well as articulating their respective roles.

The poetry and music are characterized by many harmonic elements. The rhyme in the poems or folklore songs is often complex and includes reversals in tones. Reversals of tones are a way to keep the musical quality intact.

Vietnamese music is also distinguished for its ornamentation and improvisation. Vietnamese music also incorporates certain influences from abroad.

Cultural Significance

Music and poetry have an air of metacultural significance which saturates the landscape of culture with sonic breadcrumbs. They are time capsules that record moments in Vietnamese heritage and culture.

Vietnamese verse is a mixture of meter and rhyme similar to Chinese poetry. The syllable count of words define the tone class and tones are identified in vowel sound sounds like or flat (thu or sanh), tai) as well as sharp (cn or tong).

The music styles and regional popular songs vary throughout the United States. The songs reflect the ethnicity of various groups and the themes range from the beauty of nature to daily challenges. They were played with indigenous instruments, like the dan nguyet, or Dan Bau (Vietnamese monochord). This music survived the resettlement years and continues to be playing even today


Vietnamese court music and poetry adopted Chinese influences during the time of the colonial period. Since 1975 when the country was opened, Vietnamese poetry and music have adapted styles from all over the world.

Different from English or classic Greek and Latin poetry, where syllables can be separated by the stress they are in Vietnamese poetry, syllables are distinguished in both their count and their tones. A verse line that is regulated has six distinct tones, some flat, some hard.

This Cai Luong opera, as an example, is inspired by Don ca Tai Tu and Mekong Delta folk melodies, but it also incorporates elements of ancient Vietnamese tales, Nom poetry, and literature about Vietnam and its culture, in addition to traditional Indian, Egyptian Roman, and Japanese stories. What makes this form of Vietnamese music is its cultural mix.

Cultural preservation

Vietnam’s music tradition is a treasure because of a blend of music styles of different age and ethnic groups. While sharing the same genre of music every ethnic group has distinct rhythms and styles of expression. Kinh the lullabies for instance have a distinct style with Muong and Dao the lullabies.

In addition, a diverse collection of traditional instruments and performance styles support these musical traditions. These include cheo, tuong and cai luong – traditional theatre music such as quan ho (water puppet), “ly” song as well as the royal court of Hue from The Tran or Nguyen Dynasties. These masterpieces of music have been designated by UNESCO as an intangible cultural heritage. They’re an important resource for those looking to protect the nation’s culture heritage and identity.

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